Sound unseen : acousmatic sound in theory and practice / Brian Kane.

Kane, Brian, 1973-
Bib ID
vtls002079189
出版項
New York, NY : Oxford University Press, 2016.
稽核項
xii, 318 pages : illustrations ; 24 cm
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全部評等: 0
條碼 館藏地 索書號 冊次 複本 電子資源 館藏狀態  
00002822716
總館8樓書庫
ML 3805.K15 2014
0
已外借至 2017-10-28到期
 
 
 
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$a Kane, Brian, $d 1973-
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$a Sound unseen : $b acousmatic sound in theory and practice / $c Brian Kane.
264
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$a New York, NY : $b Oxford University Press, $c 2016.
264
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$c ©2014
300
$a xii, 318 pages : $b illustrations ; $c 24 cm
336
$a text $b txt $2 rdacontent
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$a unmediated $b n $2 rdamedia
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$a volume $b nc $2 rdacarrier
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$a First issued as an Oxford University Press paperback, 2016.
504
$a Includes bibliographical references (pages 277-291) and index.
505
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$a Pierre Schaeffer, the sound object and the acousmatic reduction -- Myth and the origin of the Pythagorean veil -- The baptism of the acousmate -- Acousmatic phantasmagoria and the problem of technê -- Kafka and the ontology of acousmatic sound -- Acousmatic fabrications : Les Paul and the 'Les Paulverizer' -- The acousmatic voice.
520
$a "Sound coming from outside the field of vision, from somewhere beyond, holds a privileged place in the Western imagination. When separated from their source, sounds seem to manifest transcendent realms, divine powers, or supernatural forces. According to legend, the philosopher Pythagoras lectured to his disciples from behind a veil, and two thousand years later, in the age of absolute music, listeners were similarly fascinated with disembodied sounds, employing various techniques to isolate sounds from their sources. With recording and radio came spatial and temporal separation of sounds from sources, and new ways of composing music."--Jacket.
650
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$a Music $x Acoustics and physics.
650
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$a Musique concrète $x History and criticism.
650
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$a Music $x Philosophy and aesthetics.
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$a www(106.3.8) $b FE
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標題
摘要
"Sound coming from outside the field of vision, from somewhere beyond, holds a privileged place in the Western imagination. When separated from their source, sounds seem to manifest transcendent realms, divine powers, or supernatural forces. According to legend, the philosopher Pythagoras lectured to his disciples from behind a veil, and two thousand years later, in the age of absolute music, listeners were similarly fascinated with disembodied sounds, employing various techniques to isolate sounds from their sources. With recording and radio came spatial and temporal separation of sounds from sources, and new ways of composing music."--Jacket.
內容註
Pierre Schaeffer, the sound object and the acousmatic reduction -- Myth and the origin of the Pythagorean veil -- The baptism of the acousmate -- Acousmatic phantasmagoria and the problem of technê -- Kafka and the ontology of acousmatic sound -- Acousmatic fabrications : Les Paul and the 'Les Paulverizer' -- The acousmatic voice.
附註
First issued as an Oxford University Press paperback, 2016.
Includes bibliographical references (pages 277-291) and index.
ISBN/ISSN
9780199347841
0199347840
0190632216
9780190632212 £18.99
9780199347872